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Colli - vocals
Martin - vocals
Fabi - guitar
Guido S. - guitar
Armin - bass
Mike'el - drums / vocals
Micha R. - drums (Censored Bodies E.P.)
Before 1985: Meisenkaiser - vocals, Klaus - guitar, Hans - bass,
Mike'el - drums
Hannover 1980: Punk rockers congregate at Hannover's Kornstrasse
and Glocksee venues. The scene, young kids and teenagers bored
with a life conforming to the commercial music shit churned at
them on a daily basis and social structures within society
leaving no room to generate new ideas and pursue new concepts
which could lead to an improved life and safer future. Living in
a society claiming to be democratic and tolerant, whilst
simultaneously denying the existence of minorities and groups
who possess their own peaceful vision of a life beyond the
boundaries of exploitation, persecution, fear and conflict. A
society blindly accepting and approving to the systems war
machinery which posed and still poses a permanent threat to
blast mankind into extinction and multi national corporations,
exploiting resources and labour, inflicting poverty and despair
to millions of human beings throughout the globe - This could
never be an acceptable solution and had to be opposed. Enola Gay
emerged out of the necessity to voice protest against those who
threatened mankind and nature. The band streamlined to focus on
critical issues i.e. nuclear weapons stockpiles, nuclear power,
human and animal rights, American and Russian military
intervention in poverty states, corporate exploitation, the
malfunction of a paradox society, state control and oppression
.....and a never ending list of atrocities and abusive
practicalities upon innocent victims. As the band became more
involved in political and social issues, more positive response
and support became evident from individuals and groups with
similar ideas around Germany and several other European
countries. The band members never claimed to have an entirely
adherent outlook on life in the way of how to achieve the aims
they proclaimed. However, being close friends and having a good
understanding among each other, common ground and compromises
could easily be found and made. Enola Gay strived and struggled
for a better and safer world - and change could only derive from
the actions of oneself. One crucial issue related to this was
animal rights - although the band respected the views and
opinions of other punk bands in the Hannover scene, some found
it redundant or uncomfortable to relate their music or
sympathize with animal rights and peace demonstrations. The same
people who were respected hauled out to harass and disparage
Enola Gay performances, gigs and band work wherever possible.
This revealed a maladroit and disregardful approach to issues
clearly requiring more serious attention and active debate at
the time. Enola Gay formed the first punk animal rights group in
Hannover in 1983 and held regular information events and
demonstrations among other related activities together with
local animal rights activists. The band played a decisive role
distributing concise information to the public, thus unveiling
facts the chemical and pharmacy industry denied. The torture and
harassment of innocent and defenseless creatures for corporate
profit and medical requirements was unacceptable, unreasoned and
could easily be replaced by alternative methods - avoiding the
massacre and painful death of thousands of animals. Malicious
minds in governments and corporations had a tight grip on their
societies, armies and industries, who were entitled and had the
legitimacy to exploit and annihilate opposition if required. But
peaceful resistance was growing at the same pace as the warlords
were preparing for their final countdown. During the early
eighties, more and more people had recognized the deceptive and
selfish implementation of military mechanisms imposed by
governments and decided it was time to take to the streets. Tens
of thousands of protestors roamed the streets of towns and
cities throughout Europe voicing their fear and discontent
towards governments and arms manufacturers - the nuclear threat
was real and almost inevitable - but the protests showed actions
spoke louder than words - at least as long as the protests and
resistance persevered. Believing that peaceful protest and
debate could lead to real change was a distinct and firm
fundament of the bands mentality and character. Punk rock was
the common joy factor deeply embedded in the hearts and minds of
the band, but the constant and imminent threat of political and
corporate decision makers was the key component to continue the
struggle for peace, equality and real liberty. During the
eighties the band toured throughout Europe and enjoyed playing
together with honest and amiable people from many nations and
walks of life. The only material available was produced
independently on their own Label - Enola Records or together
with Double A Rec. in Hannover - Germany. Material: 1985: Wie
Lange Noch? Compilation L.P / 2 tracks (Absorbed Death / Unheard
Cries). 1986: White Control Means Bloody Murder L.P. (only 1000
copies pressed). 1987: Censored Bodies, Human Fission E.P.